Constellation, (After Fire), 2018 Burnt animal bones board, 122 x 181.5 cm

 Constellation (After Fire), 2018                                                          Detail

Constellation (After Fire), 2018 Detail

 Ground floor gallery

Ground floor gallery

SOPHIE-MORRISH-AD-STATE-27-LH-V2.jpg
P8030104.jpg
 Violent Beauty (i), 2017-2018                                                     Feathers from predated birds, collected over a ten year period (2007-17). Steel pins, graphite on canvas. 81 x 120cms

Violent Beauty (i), 2017-2018 Feathers from predated birds, collected over a ten year period (2007-17). Steel pins, graphite on canvas. 81 x 120cms

 Violent Beauty (ii), 2017-2018

Violent Beauty (ii), 2017-2018

 Violent Beauty (iii), 2017-2018

Violent Beauty (iii), 2017-2018

 Violent Beauty (iv), 2017-2018

Violent Beauty (iv), 2017-2018

 Violent Beauty (v), 2017-2018

Violent Beauty (v), 2017-2018

 11 days, 2015                                                                                           Field Vole Skulls collected from Short-eared Owl pellets Skulls, Plywood, acrylic paint, 23 x 23cm

11 days, 2015 Field Vole Skulls collected from Short-eared Owl pellets Skulls, Plywood, acrylic paint, 23 x 23cm

 As We Are Now (i), 2018                                                                 Digital pigment print on Hahnemuhle Photo Rag ultra smooth, 305gms 60 x 60cm (ed.20)

As We Are Now (i), 2018 Digital pigment print on Hahnemuhle Photo Rag ultra smooth, 305gms 60 x 60cm (ed.20)

 The Visible and the Invisible, 2010                                          Graphite on Fabriano Artistico paper, 56 x 76.5cm

The Visible and the Invisible, 2010 Graphite on Fabriano Artistico paper, 56 x 76.5cm

 Oceanic (i), 2015                                                                               Various Cetacean bones collected by the artist, arrayed. Digital pigment print on Hahnemuhle Photo Rag, 308gms 24.5 x 48cm (edition of 20)

Oceanic (i), 2015 Various Cetacean bones collected by the artist, arrayed. Digital pigment print on Hahnemuhle Photo Rag, 308gms 24.5 x 48cm (edition of 20)

Ebb-Tide Series, (Tidelines) 2017 20 Digital pigment prints on Hahnemuhle Photo Rag, 308gms 21 x 29cm each (edition of 5)

  Ebb-Tide Series, (Tidelines), 2017                                                   Detail

Ebb-Tide Series, (Tidelines), 2017 Detail

ebb tide grid.jpg
 first floor gallery

first floor gallery

  Hebridean Sea Sequence (i),                                                      Towards St Kilda from North Uist, 2013                                                                                                       7 Digital pigment prints o

Hebridean Sea Sequence (i), Towards St Kilda from North Uist, 2013 7 Digital pigment prints on Hahnemuhle Photo Rag,

308gms 21 x 29cm (edition of 5)

Sea towards st.Kilda group.jpg
  Hebridean Sea Sequence (ii), Towards Uist from St. Kilda, 2013                                                                                                               7 Digital pigment prints on Hahnemuhle Photo Rag,

Hebridean Sea Sequence (ii), Towards Uist from St. Kilda, 2013 7 Digital pigment prints on Hahnemuhle Photo Rag, 308gms 21 x 29cm (edition of 5)

The Sea towards.jpg
IMG_1787.jpg
  Sea-formed, 2017                                                                                  120, Gold painted casts of Kelp holdfasts                                                      Dimensions variable

Sea-formed, 2017 120, Gold painted casts of Kelp holdfasts Dimensions variable

  upper gallery

upper gallery

 Twelve Hour Shift, 2016                                                                          12 one-hour drawings, tracing the outline of every piece of circular plastic found on a single beach, on one walk.   Graphite on Hahnemuhle Bamboo Fine

Twelve Hour Shift, 2016 12 one-hour drawings, tracing the outline of every piece of circular plastic found on a single beach, on one walk.

Graphite on Hahnemuhle Bamboo Fine Art paper, 21 x 29.7cm

12hr2.jpg

North Atlantic Drifter, 2015 Birch trunk, felled by a Beaver.

Flotsam collected by the artist. Dimensions variable

 North Atlantic Drifter, 2015

North Atlantic Drifter, 2015

North Atlantic Drifter, 2015
North Atlantic Drifter, 2015
  Evening light from Kyles beach, 2013                                          Digital pigment print on Hahnemuhle Photo Rag, 308gms                  21 x 28.8cm (edition of 20)

Evening light from Kyles beach, 2013 Digital pigment print on Hahnemuhle Photo Rag, 308gms 21 x 28.8cm (edition of 20)

 ‘The Making of ‘Biomass’
‘The Making of ‘Biomass’

‘The Making of ‘Biomass’ (A time-lapse film by René Jansen, 2015) ‘Biomass (NU20072014)’ - Commissioned by ATLAS Arts, as part of Broad Reach – a two year curatorial residency at Taigh Chearsabhagh.

 Photographic overview of ‘Biomass (NU20072014)’   An exhibition commissioned by Atlas Arts, at Taigh Chearsabhagh Museum and Art Centre, 2015, as part of  Broadreach   –  Atlas Arts two year curatorial residency at Taigh Chearsabhagh       Digital p

Photographic overview of ‘Biomass (NU20072014)’

An exhibition commissioned by Atlas Arts, at Taigh Chearsabhagh Museum and Art Centre, 2015, as part of Broadreach Atlas Arts two year curatorial residency at Taigh Chearsabhagh

Digital pigment print on Hahnemuhle Photo Rag, 308gms, 30.2 x 47cm

 Constellation (After Fire), 2018                                                          Detail
 Ground floor gallery
SOPHIE-MORRISH-AD-STATE-27-LH-V2.jpg
P8030104.jpg
 Violent Beauty (i), 2017-2018                                                     Feathers from predated birds, collected over a ten year period (2007-17). Steel pins, graphite on canvas. 81 x 120cms
 Violent Beauty (ii), 2017-2018
 Violent Beauty (iii), 2017-2018
 Violent Beauty (iv), 2017-2018
 Violent Beauty (v), 2017-2018
 11 days, 2015                                                                                           Field Vole Skulls collected from Short-eared Owl pellets Skulls, Plywood, acrylic paint, 23 x 23cm
 As We Are Now (i), 2018                                                                 Digital pigment print on Hahnemuhle Photo Rag ultra smooth, 305gms 60 x 60cm (ed.20)
 The Visible and the Invisible, 2010                                          Graphite on Fabriano Artistico paper, 56 x 76.5cm
 Oceanic (i), 2015                                                                               Various Cetacean bones collected by the artist, arrayed. Digital pigment print on Hahnemuhle Photo Rag, 308gms 24.5 x 48cm (edition of 20)
  Ebb-Tide Series, (Tidelines), 2017                                                   Detail
ebb tide grid.jpg
 first floor gallery
  Hebridean Sea Sequence (i),                                                      Towards St Kilda from North Uist, 2013                                                                                                       7 Digital pigment prints o
Sea towards st.Kilda group.jpg
  Hebridean Sea Sequence (ii), Towards Uist from St. Kilda, 2013                                                                                                               7 Digital pigment prints on Hahnemuhle Photo Rag,
The Sea towards.jpg
IMG_1787.jpg
  Sea-formed, 2017                                                                                  120, Gold painted casts of Kelp holdfasts                                                      Dimensions variable
  upper gallery
 Twelve Hour Shift, 2016                                                                          12 one-hour drawings, tracing the outline of every piece of circular plastic found on a single beach, on one walk.   Graphite on Hahnemuhle Bamboo Fine
12hr2.jpg
 North Atlantic Drifter, 2015
North Atlantic Drifter, 2015
  Evening light from Kyles beach, 2013                                          Digital pigment print on Hahnemuhle Photo Rag, 308gms                  21 x 28.8cm (edition of 20)
 ‘The Making of ‘Biomass’
 Photographic overview of ‘Biomass (NU20072014)’   An exhibition commissioned by Atlas Arts, at Taigh Chearsabhagh Museum and Art Centre, 2015, as part of  Broadreach   –  Atlas Arts two year curatorial residency at Taigh Chearsabhagh       Digital p

Constellation, (After Fire), 2018 Burnt animal bones board, 122 x 181.5 cm

Constellation (After Fire), 2018 Detail

Ground floor gallery

Violent Beauty (i), 2017-2018 Feathers from predated birds, collected over a ten year period (2007-17). Steel pins, graphite on canvas. 81 x 120cms

Violent Beauty (ii), 2017-2018

Violent Beauty (iii), 2017-2018

Violent Beauty (iv), 2017-2018

Violent Beauty (v), 2017-2018

11 days, 2015 Field Vole Skulls collected from Short-eared Owl pellets Skulls, Plywood, acrylic paint, 23 x 23cm

As We Are Now (i), 2018 Digital pigment print on Hahnemuhle Photo Rag ultra smooth, 305gms 60 x 60cm (ed.20)

The Visible and the Invisible, 2010 Graphite on Fabriano Artistico paper, 56 x 76.5cm

Oceanic (i), 2015 Various Cetacean bones collected by the artist, arrayed. Digital pigment print on Hahnemuhle Photo Rag, 308gms 24.5 x 48cm (edition of 20)

Ebb-Tide Series, (Tidelines) 2017 20 Digital pigment prints on Hahnemuhle Photo Rag, 308gms 21 x 29cm each (edition of 5)

Ebb-Tide Series, (Tidelines), 2017 Detail

first floor gallery

Hebridean Sea Sequence (i), Towards St Kilda from North Uist, 2013 7 Digital pigment prints on Hahnemuhle Photo Rag,

308gms 21 x 29cm (edition of 5)

Hebridean Sea Sequence (ii), Towards Uist from St. Kilda, 2013 7 Digital pigment prints on Hahnemuhle Photo Rag, 308gms 21 x 29cm (edition of 5)

Sea-formed, 2017 120, Gold painted casts of Kelp holdfasts Dimensions variable

upper gallery

Twelve Hour Shift, 2016 12 one-hour drawings, tracing the outline of every piece of circular plastic found on a single beach, on one walk.

Graphite on Hahnemuhle Bamboo Fine Art paper, 21 x 29.7cm

North Atlantic Drifter, 2015 Birch trunk, felled by a Beaver.

Flotsam collected by the artist. Dimensions variable

North Atlantic Drifter, 2015

North Atlantic Drifter, 2015

Evening light from Kyles beach, 2013 Digital pigment print on Hahnemuhle Photo Rag, 308gms 21 x 28.8cm (edition of 20)

‘The Making of ‘Biomass’

‘The Making of ‘Biomass’ (A time-lapse film by René Jansen, 2015) ‘Biomass (NU20072014)’ - Commissioned by ATLAS Arts, as part of Broad Reach – a two year curatorial residency at Taigh Chearsabhagh.

Photographic overview of ‘Biomass (NU20072014)’

An exhibition commissioned by Atlas Arts, at Taigh Chearsabhagh Museum and Art Centre, 2015, as part of Broadreach Atlas Arts two year curatorial residency at Taigh Chearsabhagh

Digital pigment print on Hahnemuhle Photo Rag, 308gms, 30.2 x 47cm

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